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The first full-length installment in The Invisible Light trilogy helmed
by Grammy- and Oscar-winning producer T Bone Burnett in collaboration with percussionist Jay Bellerose and composer
Keefus Ciancia. The albums explore the idea that society has been subject to over
a century of electronic programming, a “programming pandemic”, which is
causing us to lose our ability to differentiate fact from fiction.
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A consensual hallucination designed
and manufactured to virally reproduce. Van Hunt, sound & music / Jonathon
Rosen, moving pictures.
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Being
and Essence, October, 2018. 2 panels, 24x24" acrylic on wood.
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Joscha Bach’s lifelong quest to achieve strong artificial intelligence spurred him
to develop a cognitive architecture with a focus on aesthetics and emotion. It’s a fitting window into his
own mind. Published September 4, 2018.
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CNN animation for STATE Magazine. Top
10 polling words between the 2016 conventions
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Proto Magazine / Massachusetts General Hospital
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Art for Stanford (University) Lawyer
Magazine.
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Art and animation work for MTV Awards
2017.
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New Art for The Baffler No. 32. Sketch
above, final below.
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Prostrate cancer isn't colorblind. NYTimes OP/ED
July, 2016.
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ELECTION METABOLISM SERIES
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Bivalve Stereo-Opticon
presents: Aurora goes to Holland Aurora
goes to Holland, a reduction mashup of the installation video 'Phantasia Stereo Megamix' presented at the EYE Film
Institute Netherlands and shown during the conference 'The Colour Fantastic: Chromatic Worlds of Silent Cinema' with
live music by The West Side Trio.
Assembled with
archival clips from the collection of the EYE Film Institute, Netherlands, selected for the book 'Fantasia of Color in
Early Cinema' (AUP 2015). Selected as one of only 44 entrants selected
into the 2016 International Motion Art Awards 5 collection.
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Fantasia of Color in Early
Cinema, MoMA, Sunday, November 22, 2015.Authors were there,
presenting films and book in physical proximity.
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Fantasia of Color in Early
Cinema Amsterdam University Press, 2015.
A lavishly produced
compendium of images are culled from original nitrate hand colored silent films (1896-1915) from the EYE Museum Film Archives,
Amsterdam. 300 images on 289 pages. Essays by Tom Gunning, Giovanna Fossati, Joshua Yumibe and Jonathon Rosen.
Foreword by Martin Scorsese.
Sample spreads PDF, Facebook
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Co-designed with Laura Lindgren.
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Gluttonous Visual Overdose
foldout spread...
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Gluttonous Visual Overdose
spread 1...
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NY TIMES; The Opinion Pages | Psychology Is Not in Crisis by LISA FELDMAN BARRETT SEPT. 1, 2015
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ART FOR TECHONOMY MAGAZINE: Medical industrial complex,
Nov. 2014
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PLANSPONSER MAGAZINE - NEW HORIZONS
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Paintings from the October ADCGlobal exhibition, Wicked Kitsch. NY, NY.
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Fortune, Her Wheel, Action. Private commission (R).
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NYTimes Opinionator / PRIVATE LIVES August 14, 2013, By NATHANIEL P. MORRIS
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NYT
Book Review: CONFESSIONS OF A SOCIOPATH, A Life Spent Hiding In Plain Sight. June, 2013
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NYTimes Science section June 2013 / Growing Left,
Growing Right:
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In addition to our built-in visual processes,
each of us brings to a work of art our acquired memories: we remember other works of art that we have seen. We remember scenes
and people that have meaning to us and relate the work of art to those memories. In order to see what is painted on a canvas,
we have to know beforehand what we might see in a painting. These insights into perception served as a bridge between the
visual perception of art and the biology of the brain.
So
how does our brain respond to portraiture? As we look at a portrait, our brain calls on several interacting systems to analyze
contours, form a representation of the face and of the body, analyze the body’s motion, experience emotion, and perhaps,
empathy. Along with these instantaneous responses, we form a theory of the subject’s state of mind.
- the real “eye”
of the beholder is the brain itself.
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New
for Dec. 2012: corporate spying for INC. Magazine.
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Advances in DNA testing, biochemical analysis and
other scientific techniques have unlocked the secrets of the dead from their blood, hair, teeth and bones in ways they never
could have imagined. We can now use exhumations to lay to rest persistent rumors about the locations and contents of famous
graves, and clear people like poor Kepler of murder charges. Exhumations can also tell us about the ailments of famous figures: fragments of Beethoven’s
skull, left over from a 19th-century exhumation, have suggested that his poor health may have been the result of lead poisoning,
and tests on Cosimo Medici’s bones showed he suffered from arthritis — not gout, as many historians had believed.
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LETTERS / Jan 28 2012 / NYT Sunday Review:
Sunday Dialogue: Bird Flu Experiments
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Prostrate screening NY Times OP/ED 10/11/11
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Audio remixed and reconfigured by Tom Recchion.
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Pages for article on Trans-humanism for Tricycle Magazine | The Buddhist Review. 2010.
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Discover
Magazine march 2010 Who You Callin' "Bird Brain"?
The amazing smarts of crows, jays, and other corvids are forcing scientists
to rethink when and why intelligence evolved.
ESSAY, The Godfather of the E-Reader, NY Times Book Review.
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OK, here
are the Pages and Spreads from YOUR BODY INC. / NOV. ISSUE, INC. MAGAZINE, 2009.
Body augmentation, cell phone heart band-aids, robotic prosthetics, internal drug delivery.
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Stanford Medical Magazine, July 2009.
The promise and future of basic bio-chemical research.
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A HEAD from the show "100 HEADS FOR HAITI", an exhibition designed to raise money for Doctors Without Borders @ Spur Gallery,
Baltimore, MD. April, 2010.
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The 2+2=5 series of O'Riley / Byram / Rosen concerts: Miller Theater, Columbia University.
Stephen Byram & Jonathon Rosen, video / Christopher O'Riley, piano.
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Planadvisor, January, 2009.
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Time Magazine, Jan 2008; An army of Chinese hackers target American
military and infrastructure.
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New York Times; Science Times cover, Oct. 2007. Sleep. Click below
for the spreads and a clip.
Jan 2009,
Sleep, was shown @ Under
the Influence of Busby Berkeley as part of
the Dance On Camera Festival,
Walter Reade Theatre, NY. NY.
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New York Times; Science Times cover, January 2007. Free Will: Now You
Have It, Now You Don't .
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Cover art for composer Tom Recchion's, NEW CD: Sweetly Doing Nothing/SCHOOLMAP
(ITALY).
Includes tracks from our collaborative sound/video performance for LA MOCA's Visual Music Exhibition @ the Redcat Theater
in LA.
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Spawned by the publishing house of Le Dernier Cri:
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Intestinal Fortitude & The Birth of
Machine Consciousness are now in the permanent collection of the Metropolitan Museum of Art. Intestinal Fortitude is
also in the permanent collection of the art institute of Chicago and the Getty
Museum Research Institute.
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Meat Grinder of the Soul:
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New video ; Apartment Thunder from David Toop's CD The Black Chamber (Sub Rosa). Musicians: David Toop, Tom Recchion.
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Activity Monitor
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Visual Strategies
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project series and portfolios
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variety picture assortment sampler
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animation section
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Through a scanner darkly: a project for ID Magazine
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Book covers.
Add your content here
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Text & Visual material on this site © 2018 by Jonathon Rosen.
All rights reserved throughout the universe. Yes, the UNIVERSE.
Feedback welcome. Contact me:
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