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New cover published: The Spokes
by Miranda Mellis (Solid Objects). Group show @ Galerie Papiers Gras, Geneva "Package Iconographique de l'ALMANACH SOLDES".
My films featured in the the LAFMS exhibition at ART OSAKA
2012 art fair. United Dead Artists / 400 drawings alive! September 7 to October 6, 2012, Arts
Factory Gallery, Paris. New work for NYT Sunday Review, A stroke
of Bad Luck and Doo-dooettes Loop Rendered (excerpt) were both accepted into American Illustration
and AI/AP Motion competitions.
New cover published: The Cosmetic Gaze: Body Modification
and the Construction of Beauty
(MIT Press, February 2012) By Bernadette Wegenstein.
Lectures: 2@ Cal Arts, Valencia Ca; 1@ John Hopkins University Medical School, Baltimore.
Spring/Summer 2011,
Assignments for Mother
Jones, NY. Times OP/ED, Science section, Week in review, Wall St. Journal, Discover Magazine.
Jan 8th - Feb 7th 2010,
KNOW NEW YORK,
group show, Cinders Gallery, Brooklyn. March, 2010, Lectures:
University College
Falmouth, Kingston University London, University of Brighton, Central Saint Martins College of Art & Design & Royal
College of Art.
January 22 – February 26, 2010,
FUNNY
(not funny), group show, University of Michigan School of Art & Design, Detroit.
June, 2010, Several pieces (including Apartment Thunder) in the show; Continued...
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In addition to our built-in visual processes,
each of us brings to a work of art our acquired memories: we remember other works of art that we have seen. We remember scenes
and people that have meaning to us and relate the work of art to those memories. In order to see what is painted on a canvas,
we have to know beforehand what we might see in a painting. These insights into perception served as a bridge between the
visual perception of art and the biology of the brain.
So
how does our brain respond to portraiture? As we look at a portrait, our brain calls on several interacting systems to analyze
contours, form a representation of the face and of the body, analyze the body’s motion, experience emotion, and perhaps,
empathy. Along with these instantaneous responses, we form a theory of the subject’s state of mind.
- the real “eye”
of the beholder is the brain itself.
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New
for Dec. 2012: corporate spying for INC. Magazine.
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Advances in DNA testing, biochemical analysis and
other scientific techniques have unlocked the secrets of the dead from their blood, hair, teeth and bones in ways they never
could have imagined. We can now use exhumations to lay to rest persistent rumors about the locations and contents of famous
graves, and clear people like poor Kepler of murder charges. Exhumations can also tell us about the ailments of famous figures: fragments of Beethoven’s
skull, left over from a 19th-century exhumation, have suggested that his poor health may have been the result of lead poisoning,
and tests on Cosimo Medici’s bones showed he suffered from arthritis — not gout, as many historians had believed.
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A special issue of the NY Times Science Section.
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LETTERS / Jan 28 2012 / NYT Sunday Review:
Sunday Dialogue: Bird Flu Experiments
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Prostrate screening NY Times OP/ED 10/11/11
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Beach culture magazine - song: Coil, love's secret domain.
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Taking the Mystery Out of Web Anonymity. New York Times Week in Review 7/2/10.
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Audio remixed and reconfigured by Tom Recchion.
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Pages for article on Trans-humanism for Tricycle Magazine | The Buddhist Review. 2010.
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Discover
Magazine march 2010 Who You Callin' "Bird Brain"?
The amazing smarts of crows, jays, and other corvids are forcing scientists
to rethink when and why intelligence evolved.
ESSAY, The Godfather of the E-Reader, NY Times Book Review.
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OK, here
are the Pages and Spreads from YOUR BODY INC. / NOV. ISSUE, INC. MAGAZINE, 2009.
Body augmentation, cell phone heart band-aids, robotic prosthetics, internal drug delivery.
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Stanford Medical Magazine, July 2009.
The promise and future of basic bio-chemical research.
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A HEAD from the show "100 HEADS FOR HAITI", an exhibition designed to raise money for Doctors Without Borders @ Spur Gallery,
Baltimore, MD. April, 2010.
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The 2+2=5 series of O'Riley / Byram / Rosen concerts: Miller Theater, Columbia University.
Stephen Byram & Jonathon Rosen, video / Christopher O'Riley, piano.
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Planadvisor, January, 2009.
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Time Magazine, Jan 2008; An army of Chinese hackers target American
military and infrastructure.
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New York Times; Science Times cover, Oct. 2007. Sleep. Click below
for the spreads and a clip.
Jan 2009,
Sleep, was shown @ Under
the Influence of Busby Berkeley as part of
the Dance On Camera Festival,
Walter Reade Theatre, NY. NY.
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New York Times; Science Times cover, January 2007. Free Will: Now You
Have It, Now You Don't .
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Cover art for composer Tom Recchion's, NEW CD: Sweetly Doing Nothing/SCHOOLMAP
(ITALY).
Includes tracks from our collaborative sound/video performance for LA MOCA's Visual Music Exhibition @ the Redcat Theater
in LA.
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Spawned by the publishing house of Le Dernier Cri:
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Intestinal Fortitude & The Birth of
Machine Consciousness are now in the permanent collection of the Metropolitan Museum of Art. Intestinal Fortitude is
also in the permanent collection of the art institute of Chicago and the Getty
Museum Research Institute.
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Meat Grinder of the Soul:
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New video ; Apartment Thunder from David Toop's CD The Black Chamber (Sub Rosa). Musicians: David Toop, Tom Recchion.
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Activity Monitor
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Visual Strategies
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project series and portfolios
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variety picture assortment sampler
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animation section
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Through a scanner darkly: a project for ID Magazine
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Book covers.
Add your content here
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Text & Visual material on this site © 2012 by Jonathon Rosen.
All rights reserved throughout the universe.
Feedback welcome. Contact me:
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